“There’s a difference between doing a “swing out” and swinging out.”
Vernon and Irene Castle were a husband-and-wife team of ballroom dancers of the early 20th century. They are credited with invigorating the popularity of modern dancing. Vernon Castle (2 May 1887 – 15 February 1918) was born William Vernon Blyth inNorwich, Norfolk, England. Irene Castle (17 April 1893 – 25 January 1969) was born Irene Foote, the daughter of a prominent physician in New Rochelle, New York.
In addition to cabaret, the Castles also became staples of Broadway. Among their shows were The Sunshine Girl (1913) and Watch Your Step (1914), which boasted a score written byIrving Berlin with them in mind. Emerging as America’s premier dance team, the Castles were trendsetters in a number of arenas. Their infectious enthusiasm for dance encouraged admirers to try new forms of social dance. Considered paragons of respectability and class, the Castles specifically helped remove the stigma of vulgarity from close dancing. The Castles’ performances, often set to ragtime and jazz rhythms, also popularized African-American music among well-heeled whites. Irene’s fashion sense, too, started national trends. Her elegant, yet simple, flowing gowns were often featured in fashion magazines. She is also credited with introducing American women to the bob—the short hairstyle favored by flappers in the 1920s.
The whisper-thin, elegant Castles were trendsetters in many ways: they traveled with a black orchestra, had an openly lesbian manager, and were animal-rights advocates decades before it became a public issue. Irene was also a fashion innovator, bobbing her hair ten years before the flapper look of the 1920s became popular
The Castles’ greatest success was on Broadway, in Irving Berlin’s debut musical Watch Your Step (1914). In this extravaganza, the couple refined and popularized the Foxtrot, which vaudeville comedian Harry Fox is believed to have invented. After its New York run, Watch Your Steptoured through 1916.
Death by hip motion!!!
I love ballroom dancing! But as i watched the European Championships a few nights ago i had to ask myself if it´s not going the same way as so many sports.
If it becomes so elite that the whole essence of dancing gets thrown out in favor of semi silly staccato twitches (not talking about Tango here), poses and extremly exagerated hip movements it wont attract new dancers.
The whole “Man / woman” interaction just dies and the feeling for me is that the judges and the audience has gotten more important than the partner (a mortal sin).
I DO want to dance the Samba, but i want to look like a guy in Brazil dancing in the warm evening with a beautiful girl (dont tell me Ballroom Samba is not Brazilian, i AM aware of it).
If i do the Cha Cha i want an electricity between me and the partner.
If all i have to say is “Look at me,look at me” there is facebook for that.
To me dancing (even social dancing) is an art form.
Where did the characters of the dances go?
My instructor says that acting is 50% of the dance.
Maybe it is the fact that i like acting that ruins it for me.
Having said all this i realize that i´m a smurf roaring at giants.
I also know that there ARE men that can dance the Cha Cha so that women dont know what to do with themselves.
For some reason i didnt see that a few nights ago.